Who is Swoon

SWOON is a street artist from New York City who specializes in life-size wheatpaste prints and paper cutouts of figures. Swoon, real name Caledonia ?Callie? Curry, studied painting at the Pratt Institute in Brooklyn and started doing street art around 1999. Swoon is also a member of the Justseeds Artist Cooperative.

Graffiti (singular: graffito; the plural is used as a mass noun) is the name for images or lettering scratched, scrawled, painted or marked in any manner on property.

Graffiti is any type of public markings that may appear in the forms of simple written words to elaborate wall paintings. Graffiti has existed since ancient times, with examples dating back to Ancient Greece and the Roman Empire. In modern times, spray paint, normal paint and markers have become the most commonly used materials. In most countries, defacing property with graffiti without the property owner's consent is considered vandalism, which is punishable by law.

Sometimes graffiti is employed to communicate social and political messages. To some, it is an art form worthy of display in galleries and exhibitions; to others it is merely vandalism. Graffiti has since evolved into a pop culture existence often related to underground hip hop music and b-boying creating a lifestyle that remains hidden from the general public.Powderbomb. "Mistery Interview." Powderbomb. 1 Mar. 2009 . Graffiti is used as a gang signal to mark territory or to serve as an indicator or "tag" for gang-related activity. The controversies that surround graffiti continue to create disagreement amongst city officials/ law enforcement and graffitists looking to display their work in public locations. There are many different types and styles of graffiti and it is a rapidly developing artform whose value is highly contested, being reviled by many authorities while also subject to protection, sometimes within the same jurisdiction.

Street art is any art developed in public spaces ? that is, "in the streets" ? though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, flash mobbing and street installations. Typically, the term street art or the more specific post-graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.

Artists have challenged art by situating it in non-art contexts. ?Street' artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by esthetic values without being imprisoned by them. Schwartzman, Allan, Street Art, The Dial Press, Doubleday & Co., New York, NY 1985 ISBN 0-385-19950-3 In 1981, Washington Project for the Arts held an exhibition entitled Street Art, which included John Fekner, Fab Five Freddy and Lee Quinones working directly on the streets.Lewisohn Cedar, Street Art: The Graffiti Revolution, Tate Museum, London, England 2008 ISBN-978-1-85437-767-8 Fekner, a pioneer in urban art, is included in Cedar Lewisohn's book Street Art: The Graffiti Revolution, which accompanied the 2008 Street Art exhibiton at the Tate Modern in England which Lewisohn was the curator. John Fekner is quoted as defining street art as, ?all art on the street that's not graffiti.? Lewisohn Cedar, Street Art: The Graffiti Revolution, Tate Museum, London, England 2008 ISBN-978-1-85437-767-8

Category: Image - :Mezer owl moss.jpg|thumb|250px|right|Owl, Mezer, Moss. Venice Beach, Ca.

The motivations and objectives that drive street artists are as varied as the artists themselves. There is a strong current of activism and subversion in urban art. Street art can be a powerful platform for reaching the public, and frequent themes include adbusting, subvertising and other culture jamming, the abolishment of private property and reclaiming the streets. Other street artists simply see urban space as an untapped format for personal artwork, while others may appreciate the challenges and risks that are associated with installing illicit artwork in public places. However the universal theme in most, if not all street art, is that adapting visual artwork into a format which utilizes public space, allows artists who may otherwise feel disenfranchised, to reach a much broader audience than traditional artwork and galleries normally allow.

The 1990 book ?Soho Walls ? Beyond Graffiti? by David RobinsonDavid Robinson, Soho Walls ? Beyond Graffiti, Thames & Hudson, NY, 1990, ISBN 978-0500276020 documents the paradigm shift in New York from the text based precedents established by the graffiti artists towards art in the streets such as the shadow figures by Richard Hambleton and a group of five young New York artists working collectively under the moniker AVANT.http://avant-streetart.com/avant_street_art_1980s_New_York.htm