Sergio Mendes: The Waters Of March

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The Waters Of March Lyrics

Artist: Sergio Mendes & Brasil '88
Music and Lyrics by: Antonio Carlos Jobim














The Waters Of March

A stick, a stone,
It's the end of the road,
It's the rest of a stump,
It's a little alone

It's a sliver of glass,
It is life, it's the sun,
It is night, it is death,
It's a trap, it's a gun

The oak when it blooms,
A fox in the brush,
A knot in the wood,
The song of a thrush

The wood of the wind,
A cliff, a fall,
A scratch, a lump,
It is nothing at all

It's the wind blowing free,
It's the end of the slope,
It's a beam, it's a void,
It's a hunch, it's a hope

And the river bank talks
of the waters of March,
It's the end of the strain,
The joy in your heart

The foot, the ground,
The flesh and the bone,
The beat of the road,
A slingshot's stone

A fish, a flash,
A silvery glow,
A fight, a bet,
The range of a bow

The bed of the well,
The end of the line,
The dismay in the face,
It's a loss, it's a find

A spear, a spike,
A point, a nail,
A drip, a drop,
The end of the tale

A truckload of bricks
in the soft morning light,
The shot of a gun
in the dead of the night

A mile, a must,
A thrust, a bump,
It's a girl, it's a rhyme,
It's a cold, it's the mumps

The plan of the house,
The body in bed,
And the car that got stuck,
It's the mud, it's the mud

Afloat, adrift,
A flight, a wing,
A hawk, a quail,
The promise of spring

And the riverbank talks
of the waters of March,
It's the promise of life
It's the joy in your heart

A stick, a stone,
It's the end of the road
It's the rest of a stump,
It's a little alone

A snake, a stick,
It is John, it is Joe,
It's a thorn in your hand
and a cut in your toe

A point, a grain,
A bee, a bite,
A blink, a buzzard,
A sudden stroke of night

A pin, a needle,
A sting, a pain,
A snail, a riddle,
A wasp, a stain

A pass in the mountains,
A horse and a mule,
In the distance the shelves
rode three shadows of blue

And the riverbank talks
of the waters of March,
It's the promise of life
in your heart, in your heart

A stick, a stone,
The end of the road,
The rest of a stump,
A lonesome road

A sliver of glass,
A life, the sun,
A knife, a death,
The end of the run

And the riverbank talks
of the waters of March,
It's the end of all strain,
It's the joy in your heart

The Waters Of March Music Video 

Sergio Mendes & Brasil '88

Medley: The Look Of Love, The Fool On The Hill, Mas Que Nada, Going Out Of My Head, The Waters Of March
Keyboards & Vocals: Sergio Mendes
Singers: Bonnie Bowden, Carol Rogers & Marietta Waters
Bass: Warren Giancaterino
Brazilian & Electric Guitar: Oscar Castro-Neves
Electric & Acoustic Guitar: David Amaro
Drums: Alan Diaz
Percussion: Ron Powell
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Antonio Carlos Jobim

A Brief Background on The Waters of March 

Courtesy of Wikipedia

Click on the sheet music for the lyrics

Antonio Carlos Jobim

"Waters of March" (Portuguese: "Águas de Março") is a Brazilian song composed by Antonio Carlos Jobim. Jobim wrote both the English and Portuguese lyrics. When writing the English lyrics, Jobim endeavoured to avoid words with Latin roots, which resulted in the English version having more verses than the Portuguese. Another way in which the English lyrics differ from the Portuguese is that the English version treats March from the perspective of an observer in the northern hemisphere. In this context, the waters are the "waters of defrost" in contrast to the rains referred to in the original Portuguese, marking the end of summer and the beginning of the colder season in the southern hemisphere.AllBrazilianMusic.com.

In 2001, "Águas de Março" was named as the all-time best Brazilian song in a poll of more than 200 Brazilian journalists, musicians and other artists conducted by Brazil's leading daily newspaper, Folha de São Paulo.

The song lyrics, originally written in Portuguese, do not tell a story, but rather present a series of images that form a collage; nearly every line starts with "É..." ("It is...").

In both the Portuguese and English versions of the lyrics, "it" is a stick, a stone, a sliver of glass, a scratch, a cliff, a knot in the wood, a fish, a pin, the end of the road," and many other things, although some specific references to Brazilian culture (festa da cumeeira, garrafa de cana), flora (peroba do campo) and folklore (Matita Pereira) were intentionally omitted from the English version, perhaps with the goal of providing a more universal perspective. All these details swirling around the central metaphor of "the waters of March" can give the impression of the passing of daily life and its continual, inevitable progression towards death, just as the rains of March mark the end of a Brazilian summer. Both sets of lyrics speak of the water being "the promise of life," perhaps allowing for other, more life-affirming interpretations, and the English contains the additional phrases "the joy in your heart" and the "promise of spring," a seasonal reference that would be more relevant to most of the English-speaking world.

The inspiration for "Águas de Março" comes from Rio de Janeiro's rainiest month. March is typically marked by sudden storms with heavy rains and strong winds that cause flooding in many places around the city. The lyrics and the music have a constant downward progression much like the water torrent from those rains flowing in the gutters, which typically would carry sticks, stones, bits of glass, and almost everything and anything. The orchestration creates the illusion of the constant descending of notes much like Shepard tones.

The song was used by Coca-Cola for a jingle in the mid-1980s concurrent with the "Coke is it!" campaign, which ran until 1988, and is currently the track for a 2008 British Gas advert in the UK and in Italy. In the Philippines, it was also used in the early 90s as the soundtrack for an advertising campaign for the newly developed Ayala CenterAyala Center commercial 1990s

Composer-guitarist Oscar Castro-NevesOscar Castro-Neves relates that Jobim told him that writing in this kind of stream of consciousness was his version of therapy and saved him thousands in psychoanalysis bills.

Prof. Charles A. Perrone, an authority on contemporary Brazilian popular music (MPB), wrote about the song in his doctoral dissertation (1985), an abridged version of which was published in Brazil as Letras e Letras da MPB (1988). He notes such sources for the song as the folkloric samba-de-matuto and a classic poem of pre-Modernist Brazilian literature.

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Vintage 74 Album Cover

Sergio Mendes Blog Posts 

Live Jazz: Sergio Mendes, Eddie Palmieri and Poncho Sanchez at the ...
That was certainly the case Wednesday evening at the Hollywood Bowl, which kicked off its 2009 jazz series with a Latin program featuring Sanchez, Eddie Palmieri and Sergio Mendes. The program attracted a near-capacity crowd, ...
SERGIO MENDES: I LOVE IT WITH THE WHY
Sérgio Mendes swept into America with ?Mas Que Nada? in 1966 and went on to establish immortality among connoisseurs of both classy cocktails and bossa nova rhythms. He is working on his new album and still claims to be nervous before ...
Sergio Mendes & Brasil '66 - The Very Best
Artist: Sergio Mende & Brasil '66 Album: The Very Best Year: 1966-1971 Label: A & M Records (1986) Total time: 50:40 Tracks: 1. Mas Que Nada (Jorge Ben) 2:41 2. Scarborough Fair (Paul Simon/Art Garfunkel) 3:22 ...
Sergio Mendes & Brasil '66 - Equinox (1967)
Equinox continues the scrumptiously winning sound that Sergio Mendes cooked up in the mid-'60s, this time a bit more fleshed out with John Pisano's guitar, a slightly thicker texture, and even an imitation sitar (this was, after all, ...

Vintage 74 

Sergio Mendes & Brasil '77

Vintage '74

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The Waters of March Lyrics

x3xsolxdierx3x wrote...

great job with this lens....love those lyrics :) 5 stars

ReplyPosted June 05, 2009

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ReplyPosted May 25, 2009

mpreyes wrote...

Yes, nice lyrics and interesting song!

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ReplyPosted April 06, 2009

SemperFidelis wrote...

Great lens. I love the lyrics of The Waters of March. 5* and favorited. :o)

ReplyPosted September 03, 2008

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